Saturday, August 18, 2012

Shane's 50th List Spectacular: The Best of the Best Sitcom Character Tropes


Sometimes I think Five-O-Rama is a lot like school: because you're bound to learn something, and we usually take the entire summer off (ba-dum ching!). But now it's time to get back to business. Today I celebrate delivering my 50th "lesson" much like Cole did, with a giant-ass list. Though, instead of doing fifty things, I've picked five awesome sitcom character archetypes, and then selected the five best examples of each.

5) The Lame Square

Sure it would be nice if everyone on TV were beautiful, clever, and cool, but where's the fun in that? You need to have some characters that are painfully boring and unpopular. It gives something for the other characters to roll their eyes and shake their heads at. You can easily identify these losers by their lame hobbies and interests, being hopelessly out of touch, always being the butt of the other characters' jokes, and the way no one laughs at their humour but themselves (laugh track excluded). It's also a character type dominated by men.

Carlton Banks - Fresh Prince of Bel-Air
I don't think I need to say much beyond "The Carlton Dance", but Carlton is the preppy, intelligent, self-centred son of the Banks family. All of his interests are dated and he is constantly being smacked in the back of the head or mocked for his idiotic remarks, his love of Tom Jones, or just for being short. Even though the house was filled with rich, spoiled characters, Carlton remained the antithesis of his hip cousin, Will.




Hank Hill - King of the Hill
In some ways the entire cast of King of the Hill qualifies for this category, but Hank Hill stands out like a shining beacon of lame. Nearly every character on this show upsets me, but I still appreciate the clever writing. Hank is awkward beyond reason and has a never ending passion for propane and propane accessories. Nearly everything he says makes me gringe, which is a combination of groan and cringe.



Al Borlen - Home Improvement
Al loves to wear flannel, he builds board games in his spare time, and he has an unhealthy obsession with his mother. He is the sidekick to Tim Taylor on the show within a show, Tool Time. If Tim is the manly rock of the show, then Al is the sensitive pudding. He is constantly ridiculed and mocked by Tim and he is also always showing that he is more capable than Tim, and that makes him smarter, and by default, lame.



Alan Harper- Two and a Half Men
Every confident sitcom character needs their lame counterpart: Will had Carlton, Tim had Al, and of course Charlie had his brother Alan. While Charlie Harper is rich, successful, bold, and is never without a beautiful woman, Alan is a constant embarrassment to his family. He's a broke, bumbling failure with unbelievably bad luck.  He is also cheap, obsessive compulsive, and has practically no social life, resorting to hobbies like ventriloquism or building model cars. He's an awkward, gullible, mooch who never earns any respect and ... well, I think you get the point.


Ross Geller - Friends
Here's a fun game, when you imagine Ross from Friends, what is the first word that comes to mind to describe him? Roughly 95% of you will think of the word "dork", while the other 5% will have thought of the word "dorkily". Unfortunately "dorkily" is an adverb, and while it's a good way to describe how Ross behaves in every scene, you're disqualified. Sorry. Anyway, Ross is awkward, nerdy, and once tried to learn the bagpipes. His only friends are a moronic pretty-boy, an attention craving smart-ass, a bossy loudmouth, an eccentric weirdo, and a spoiled bitch ... and still Ross is the least cool member of the group. He achieves astounding levels of lame.


4) The Wacky Alien

Considering that most sitcoms are based around various family units, you wouldn't think that aliens would appear as often as they do. However, comedy is often derived from a character being placed in an unfamiliar environment and then acting stupid or silly (eg. Balki from Perfect Strangers), so an alien living with humans is an ideal exaggeration of that idea.

Roger Smith - American Dad
Roger looks kind of like a cross between a lightbulb and a grey sock. He's got a bulbous head and stubby E.T. legs, and (like all Seth MacFarlane characters) a vast knowledge of popular culture.  Since he's an alien fugitive from Area 51 living with a human family, you'd think he'd be the weirdest member, but no ... there's also a talking fish implanted with the brain of an East German ski jumper.





Mork - Mork and Mindy
Okay, I'm going to admit it. I've never actually seen an episode of Mork and Mindy. But it's a sitcom about an alien named Mork from a planet called Ork (great writing) and he's played by Robin effin' Williams. I'd be a fool not to include this. The rainbow suspenders may be weird, the egg spaceship might be weirder, but the fact that this is a spin off from Happy Days is weirdest of all.






Dr. Zoidberg - Futurama
Definitely one of the funniest characters in Futurama, the good doctor for Planet Express is a Jewish lobster in a lab coat. Like any good sitcom alien he is usually confused by human customs and desperate for attention. Even though he's a terrible doctor, and an emotional loner, you can't help but love this guy.





The Solomons - 3rd Rock From the Sun
What's better than an alien living on Earth to observe human life? How about FOUR aliens living on Earth. Yep, the Solomons aren't just your average Tom, Dick, and Harry...  and Sally, they are actually an extraterrestrial research expedition disguised as an American family. 3rd Rock is definitely one of my favourite sitcoms ever. The dynamic between the characters is hilarious as they experience everything for the first time, from sneezing to sex. It's worth watching for John Lithgow, the High Commander and now physics professor, doing what he does best ... yelling and being dramatic.




ALF - ALF
One day a spaceship crashed into the garage of The Tanners and immediately a family was burdened with keeping an alien named Gordon Shumway a secret in their home. Gordon, nicknamed ALF (which stands for Extra-Terrestrial, I believe), is an obnoxious, sarcastic, gluttonous troublemaker who is constantly putting the Tanners at risk of being invaded by the US military. And you know what? He doesn't give a shit. Not one single shit. He just wants to laugh, belch, and eat a box of kittens in front of your kids.


3) The Wisecracking Butler or Maid
The sarcastic servant character is a classic in movie and television history. From The Jetsons to Arthur, there's just nothing better than a butler or maid who mouths off when you'd expect them to be silent and obedient. That's essentially why it works so well in comedy. Take an expectation and flip it upside-down. Here are some great examples of the servant class being lippy with their employers.

Berta - Two and a Half Men
While many sarcastic maids and butlers might make a sly remark under their breath, Berta has no restraint. She will make shockingly rude and insulting comments right to your face and then threaten to pummel you. As a housekeeper, she kind of sucks. She'll show up late, get high on the job, or you may find her passed out on the sofa with a hangover. But she'll never get fired because she's an intimidating bully. It's the perfect system.





Niles - The Nanny
This guy always cracked me up. Niles is a sarcastic, manipulative, but loyal butler for the Sheffield household. Being the eyes and ears on the home, Niles is constantly gathering information he can use to help Fran, or torment the "villain" of the show, C.C.. The best part of any episode was when Niles faced off with C.C. as they tore each other new ones. Goddamn, they hated each other ... or did they?




Florence Johnston - The Jeffersons 
An important element of this character trope is sass, and Florence had sass. Much like Berta, Florence will speak her mind openly even though she's doing a half-assed job as a maid. She has no trouble talking back to her boss, and since that's what we all dream of in life, she naturally became a fan favourite of the show.








Tony Micelli - Who's the Boss? 
Wait a minute, let me get this straight. Angela is a career woman who hired Tony to be her live-in housekeeper? A dude is a maid for a woman? What kind of bizarro world shit is this? This is what millions of viewers screamed at their televisions back in primitive 1984. Everybody desperately wanted to know who the boss was and why. Anyway, Tony was always cracking wise at home. I suspect it was mostly nervous tension over being sexually attracted to his boss/roommate.




Geoffrey - Fresh Prince of Belair
When I think of butlers making sly remarks, I think Geoffrey. He would always carry himself with an air of dignity as he went about his duties, but no one was safe from his scathing wit. He had one-liners for any and every situation. If you were overweight, spoiled, or stupid Geoffrey could put you in your place, and sarcasm is always more potent when delivered with an English accent.






2) The Weird Neighbour

What sitcom would be complete without a neighbour popping in unannounced time and time again? Sometimes they are there to be a comedic annoyance, other times just to be strange. These characters often have a signature catchphrase or entrance.

Ned Flanders - The Simpsons
Ned is actually a great combination of "The Weird Neighbour" and "The Lame Square", but I figured he'd be better suited to this section because he's so iconic as the annoying neighbour to the Simpsons. He's highly religious and moral, a devoted husband and father, and excessively good-natured and kind. In a strange way, it makes more sense to see Homer as "The Weird Neighbour" to Ned. In any other sitcom Ned would be the straight-laced guy being driven crazy by his scheming idiot friend next door. Instead, Ned is loathed by Homer for being so different. Since Ned is one of the only "normal" guys in a town overflowing with odd characters, he's in the minority and branded as "weird".

Wilson - Home Improvement
Wilson is a strange neighbour for several reasons: he has roughly a hundred thousand hobbies and only participates in each one once, he has nearly unlimited knowledge of obscure history and cultures, and he may or may not have a face. Many sitcoms fall into predictable patterns.  Every episode of Full House will have "the serious discussion moment" and every episode of Home Improvement will have Tim heading out into the backyard and getting advice from Wilson through a fence. It's comforting to know that no matter how difficult family life can get, you can always count on some sage advice from an old guy doing ancient Aztec bean dances in his backyard, who will relate the dance to how you need to stop being so fucking selfish around your wife.

Rose - Two and a Half Men
What? Another character from Two and a Half Men? That show isn't even that good. I agree, it's crass and stupid, but it is also a treasure trove of stereotypical sitcom character types. I swear everyone on the show fits into a mould you've seen a million times before. Besides the ones I've already mentioned it has "The Bitchy Ex", "The Stress-inducing Mother", and "The Brainless Hungry Teenager" who used to be the "Adorable Smart Aleck Child".

Rose made the list because she's deranged. After a one night stand with Charlie she became obsessed with him and stalked him constantly. She is always lurking around his home, sneaking in, and trying to implant herself within the family. There is a love/hate relationship between Rose and Charlie, though mostly Charlie's love seems to be the result of her manipulation. Sometimes she reveals herself as being highly intelligent and caring. Other times she's a dangerous weirdo who may steal from, or cause physical harm to those around her. Ultimately she's a complete psycho, since it's essentially understood that Rose killed Charlie by shoving him in front of a train.

Steve Urkel - Family Matters
Ah, the Urk Man. There's no possible way to make a list like this and not mention his name. He's got several catchphrases, his own dance, and he's a constant annoyance to the Winslows. It seems to be Steve's personal mission to give Carl Winslow a mental breakdown. Not only has he caused severe damage to Carl's home and peace of mind with his endless buffoonery, Steve is also obsessed with Carl's daughter, Laura. But Carl doesn't need this shit, not after Nakatomi Plaza.

In later seasons Family Matters turned into Urkel's Screwy Invention Hour, with more and more ludicrous stories with Steve inventing personality altering machines, robots, time machines, and all sorts of crazy shit. In the end he was better suited as just the annoying nerdy kid you couldn't keep out of your home.

Cosmo Kramer - Seinfeld
Look no further, this is the quintessential weird neighbour. Kramer has the whole package. Strange, goofy appearance? Check. Constantly barging in uninvited? Check. Always involved in one stupid scheme after another? Check. Clumsy? Annoying? Tactless? Check, check, and check. Kramer is known for his trademark entrances and hair that looks like he jammed his tongue in an outlet. His three "friends" are all selfish social rejects in their own right, but still Cosmo takes the cake. If you ever needed someone to eat your food and borrow your stuff without asking, or say the worst thing at the worst moment, or give you awful advice, just check across the hall.



1) The Fat / Ignorant Husband and The Wife with an Annoying Voice

To cap off this mega-list, I present to you one of the most common sitcom character combos: a bloated dolt of a husband and a screechy wife. It's been around since the beginning of television with shows like The Honeymooners and I Love Lucy, and it's continued ever since. Yes, the public can't get enough of spouses bombarding each other with stupidity and high pitched nagging.

Al and Peggy Bundy - Married... with Children
The Bundy's are a classic dysfunctional sitcom family. Al is a dopey slob of a husband who loves to laze about on the couch with his hand tucked in this pants, and Peggy is a whiny nag of a wife who just wants to buy shit and insult her husband. Everything about the show is exaggerated and cartoonish, from Al's behaviour to Peggy's hair. If you don't remember the show well, say the word "duh" in a drawn out dim-witted voice and you'll have captured the essence of Al Bundy. Then listen to Leela from any episode of Futurama, and now you know the voice for Peggy.

Peter and Lois Griffin - Family Guy
This show owes a lot to the other entries in the list, since it's essentially an extreme exaggeration of, and tribute to, famous sitcom characters that have come before. Peter is an obese moron devoid of common sense. His wife, Lois, is a nagging wife, but she has every right to be since her husband is an obnoxious ass. The show has compared her voice to Fran Drescher and I'd say that's pretty accurate.

So the family is made up of a fat, stupid husband married to a beautiful wife with an unfortunate voice. They have three kids and a dog. The oldest child is a son, the second is an unpopular daughter, and finally an intelligent baby. Now that I think about it, that type of family sounds familiar. I can't think of where I've seen something like it before, but I'm sure it will come to me...

Dan and Roseanne Conner - Roseanne
Whenever I think of the stereotypical American family, I think of the Connors. An obese working-class family with lots of kids, living from paycheque to paycheque. Roseanne was the bossy nasal voice of the family, with her big-boned schlub of a husband, Dan, at her side.

What made the show successful was that it was relatable and it didn't shy away from difficult subjects. In fact, the show's final episode is one of the darkest finales I've ever seen. Unlike the Bundy's and others like them, the Conners felt like a real family struggling with real problems. Dan and Roseanne may have been flawed characters -  overweight, annoying, and foolish at times - but they were grounded in a reality the viewer could appreciate.

Homer and Marge Simpson - The Simpsons
I don't really know what I can say about characters this famous and so ingrained in our culture, that you don't already have burned into your brains. The Simpsons have been on the air since the late 80's for crying out loud and they still make new episodes. But in case you've been on Mars for the last 23 years, in a cave, with your eyes shut and your fingers in your ears, I'll explain.

Homer is the buffoonish and gluttonous father. He's lazy, careless, and dumb. Marge is the nagging, overly concerned mother. Her voice sounds like Kathleen Turner after gargling hot coals. Together they make the perfect couple. Homer does something stupid, and Marge growls at him in a displeased manner. If you're still confused, just imagine a slightly toned down version of Family Guy with less cutaways.

Archie and Edith Bunker - All in the Family
These two are iconic sitcom figures. Hell, even their chairs are recognizable. Archie is the loud stubborn head of the household with strong opinions about everything. He's a bigot, a racist, and basically prejudiced against anything outside himself, and all these things are fuelled by ignorance. By contrast, Edith is kind and open-minded, and a very obedient, hardworking wife and mother. Her voice ... how can I put this? ... is earsplitting. She makes Monty Python's female characters sound like Norah Jones.

What makes the characters special is that they are still likeable even with the unfounded hate and high pitched tones that put dogs into comas. The best moments are when Archie and Edith have revelations. Many times in the heat of a rant, Archie would suddenly realize the hypocrisy of the point he was making and be at a loss for words. In other moments when Edith takes a stand on a issue she'll speak in a more controlled, serious tone and has some of the wisest things to say. In these moments we feel there is hope for the characters, as we see them become stronger and smarter.

Archie and Edith may be familiar archetypes we've seen on televisions for decades, but they stand out for having more substance to their personalities. The immediate impression is that he's an ignorant and hateful husband, and she's a shrill and naive wife. However, the more you watch, the more you see their true personalities shine through, and that makes for a compelling and entertaining show.

Sunday, April 8, 2012

The Craziest Things about the Back to the Future Trilogy

Instead of listing the best or the worst of something, I thought I would explore one of my favourite movie trilogies. I've heard people describe Back to the Future as the best movie about time travel and others call it the worst movie about time travel, and you know what? They're both right.

I can't count how many times I've watched these films, but no matter how many times I do, I always come away with something new to think about. Back to the Future is unfiltered entertainment, and the flaws and plot holes are all part of that fun. You'll enjoy yourself while watching and still have plenty of crazy inexplicable stuff to discuss afterwards. So, let's check out some of the more interesting aspects of the films to contemplate. There's a lot to say ... you've been warned.

5. Delicate Space Time Continuum, My Ass!
Over and over we hear Doc Brown rant about the space time continuum and how even the slightest change of past events could have major repercussions on the future. But the truth is that Doc doesn't really seem all that concerned.

The first big indication of that is in Part I when Doc reads Marty's note about the future. At first he tears it up claiming it's dangerous to know what will happen, and then later tapes the pieces back together and reads it because ... "what the hell". Way to stick to your guns, Emmett.

In Part II, while in 2015, Doc and Marty have to find Jennifer before she may encounter her older self ... because it may destroy the universe! I'm surprised that didn't cross Doc's mind before he ran up to two teenagers in a driveway, yelling at them like a lunatic about their non-existent kids, and whisking them away in a flying time machine in  broad daylight. Wasn't this the same guy who used to be super worried about knowing too much about your future?

Does telling Marty and Jennifer that they will get married and have kids affect the possibility of that outcome? If not, why doesn't he just give them a heads up about what will happen to their kids so they can prevent it? Wouldn't it have been easier to leave Jennifer behind? Or not tell her? Instead Doc seems to be frantic about getting them in the time machine and to the future. For someone who owns a time machine, Doc sure is in a damn hurry all the time.

4. Biff Tannen: Super Villain 
Biff Tannen has got to be one of my favourite antagonists in all of cinema. What's interesting about his character is how over the course of the trilogy we discover more and more what an evil guy he is.

Think about it. The first time we meet Biff we find that out that he's an alcoholic, a mooch, and a liar. He's treating the McFly family like shit from scene one. When Marty goes back to 1955 we see that Biff has been bullying George McFly his whole life, and he's an all around hot tempered prick. By the finale of the first film he's attempted to rape Marty's mother.

Since the first movie already took Biff from jerk to rapist, I'd say we've clearly established him as a terrible person. But there's more! In Part II when Biff's character is given unlimited money and power he basically ruins the entire town and leaves it a degenerate wasteland. He's abusive, adulterous, engages in illegal activity, and murders people! In fact we see two different versions of Biff trying to kill Marty in the same film.

But that's not all. Not only is Biff a horrible person in every sense, we discover that his descendants and ancestors are all psychos and assholes too. It's like Biff is constantly growing more and more evil to the point where it's eternal.

Since we're focusing on Biff, I really have to point out how crazy it is to see his character working for the McFly family at the end of Part I. Why exactly did George McFly decide the perfect person to hire to clean his car would be the man who once tried to rape his wife? I mean, honestly, at what point do you break ties with this fucker?

3. Tracking the Time Machine
Fact: The DeLorean is still the coolest time machine in cinema history. Don't deny it.

For fun I drew up a timeline for the trilogy depicting all the trips the DeLorean makes and who made them. Please print it out, laminate it, and carry it around for your reference. The time machine is mostly powered by plutonium or garbage for most of the trips it makes, but also powered once by train, and twice by lightning. I should note that both of those times were from the same lightning storm.

Throughout the trilogy there are 13 clear trips the DeLorean makes, however, there may be more since we don't know everything Doc Brown did while in the future before coming back to warn Marty of his future asshole kids. By my calculations, with all the trips made, the time machine passed through (or over?) 570+ years. Interestingly, the first trip is the shortest jump (1 minute forward) and the last trip is the longest jump (100 years forward).

Also, during Part II there are 4 versions of the DeLorean existing in Hill Valley 1955 all at once: 1) The one in Doc's workshop before Marty returns to 1985 via clock tower lightning. 2) The one Old Biff is using to give his younger self the Almanac. 3) The one hidden behind a billboard while Doc and Marty try to retrieve the Almanac. 4) The one buried in the mine left by Doc trapped in 1885. There are also at least 2 versions of the DeLorean in 2015, but we only see one of them.

2. Doc's Timeline: A Series of Unfortunate Events
One of my favourite things to consider when looking back on the trilogy is the individual timelines of the characters. Because we're viewing the events primarily from Marty's perspective, we might not imagine the absurd chain of events for other characters. Specifically I find Doc Brown's perspective pretty crazy. Here's how his life played out chronologically:

So Doc is living alone in Hill Valley in 1955 toiling away on failed invention after failed invention. One day he slips in the bathroom, bangs his head, and is struck with the idea for the flux capacitor, which makes time travel possible. The very same day some teenager shows up at his door claiming to be from the future travelling in a time machine built by his future self. Already that's pretty screwy.

So he spends the next many days with this kid (that he will one day become friends with) trying to find a way to power the time machine (that he will one day invent). Doc nearly kills himself climbing the clock tower during a thunderstorm trying to rig up a system to harness a lightning bolt. At the last minute he succeeds, the DeLorean is powered, and Marty disappears into the future.

A few seconds later another Marty runs up to him and frantically needs his help again. Doc now needs to go excavate another version of his time machine out of a mine in order to send Second Marty into the past to rescue his future self who is trapped in the old west. Oh yeah, and while retrieving the time machine, Doc stumbles upon his own grave.

But that's not all. Doc sends the Second Marty to 1885 and then finally gets to move on with his life. He spend the next 30 years building the time machine that he's already encountered twice. He becomes friends with Original Marty, and on the night he tests his invention for the first time, Libyans riddle him with bullets and Marty drives off with his car for a third goddamn time.

For me, I'm just tickled by the mind-bending bullshit Doc has to endure before even getting to try out his machine for the first time. We don't even get to see him take his first trip through time, which must have been a significant moment of triumph for his character. Nope. Instead we spend all our time watching him nearly get killed while helping a stranger.

1. Paradoxes Galore
Oh man, where to begin?


First of all, I would say the biggest paradox has to be the entire conflict of the first movie. Marty goes back in time to 1955, accidentally prevents his parents from meeting and then has to get them together, or else they never fall in love, never get married, never have kids, and *gasp* Marty wouldn't exist. But if we continue that chain of events, if Marty doesn't exist, then there is no Marty to travel back in time to interfere with his parents lives, and so they do meet, do fall in love, get married and have kids, and *gasp* Marty would exist. It's the ol' Grandfather Paradox where a person's actions are creating a never-ending loop of contradiction.


Despite the impossibility of interfering with his parents past, Marty does get them back together. As a result the circumstances in which George and Lorraine meet and fall in love are quite different and so when Marty returns to his life in 1985, his parents are now different people; they're healthier, happier, more confident, and successful. But why doesn't that make Marty not exist?!! Sure, the parents still end up together, but why would they have the exact same children in the exact same way? Why would they still live in the exact same house?!! Marty's siblings are different now as well, but why hasn't Marty changed in the process? Shouldn't he also have a new personality, or suddenly be flooded with memories of a different version of his childhood? For some reason everything changes except Marty. I'm not even going to delve into the fact that his parents don't seem to notice a similarity between Marty and that Calvin Klein fellow who got them together years ago.


While in 2015, when Doc and Marty are off trying to rescue Jennifer, Old Biff sneaks away with the time machine to alter his past. He gives his younger self the Almanac and when he returns to 2015 we see him doubling over in pain, the same way Marty did on stage as he began to fade from existence. Because he's changed his past Old Biff is dying, or "disappearing from existence". In a deleted scene we can actually see him collapse and fade away. The big issue I have with this is ... why doesn't the world start changing around him because of the altered history? When Doc, Marty, and Jennifer return to 1985 the world has changed and the town is a wasteland of crime. If  Biff created an alternate 1985, where is the alternate 2015?

And of course, like before, if Biff changes history and then doesn't exist in 2015, then how can he go back in time to change history? Also, in this alternate timeline we find out that Doc was committed to a mental institution. But if Doc is locked away, then he doesn't get to build a time machine and none of the events of the films would happen, including Old Biff's trip with the almanac.

Several times in the trilogy we see objects changing as the past is changed: Marty's family photo, the "You're Fired" fax paper, the picture of Doc's grave, and different newspaper articles. However, most of the time it doesn't make any sense. We see the fax fade away to a blank sheet of paper, but why wouldn't it fade away entirely? In the altered future, why would Jennifer pick up a blank piece of paper? Or when the newspaper articles change, they always change into a new article about the same person instead of, you know, some random article. And if Doc never gets shot in 1885, then there would be no grave and no reason to take a picture.

But there's more! Who the fuck actually wrote "Johnny B Goode"? Marty learned the song from Chuck Berry, and apparently Chuck Berry memorized it over the telephone as Marty played it. In the same line of thinking, where did the design for the time machine come from? Doc invented and built it, but that was after he saw the finished product and examined it. He may have come up with the flux capacitor alone, but using a DeLorean was probably the result of knowing that he ends up using a DeLorean. It's another paradox where an idea has no clear source.

In Part III Doc and Marty discover Emmett Brown's grave that clearly explains that Doc is shot and killed by 'Mad Dog' Tannen over a dispute about money. Shouldn't the discovery of this grave immediately change the past? There's are two Doc's: Young Doc in 1955, and Old Doc in 1885. If Young Doc learns about his death, shouldn't Old Doc now know about it too? Wouldn't he have the memory of finding his own grave more than 30 years ago? If I knew who was going to murder me, when, and why ... I'd probably do something to avoid it.

Ow! My brain hurts. There are still plenty more of these types of paradoxes, but I think you get the point. The trilogy is filled with plot holes and paradoxes, but I feel most of them don't become apparent until additional viewings, and even then they don't really hamper your enjoyment of the films. That fact is, these movies are hilarious and exciting, and filled with wonderful characters and a great story, even if the story doesn't make complete sense all the time. Like Doc Brown, it's best to just go with it and worry about the details later.

Thursday, February 9, 2012

Post-script: Five VG Music Covers That Shouldn't Be

Like fleshy homunculi writhing in agony on a necromancer's altar, here are some renditions of game music that never should have been.

5. Bloody Tears Cannibalized by Rappers




4. Mario Theme on Deranged Cat Piano




3. Robo's Theme (Chrono Trigger) in Mario Paint




2. Metal Gear Solid 2 Theme on Kazoo and... Torso?




1. Chocobo Theme on Cockatiel



Unsurprisingly, the cockatiel is the best of the bunch, and even it is clearly ashamed.

Thursday, February 2, 2012

Five VG Music Covers That Have a Life of Their Own

The Internets are flush with recordings of people stumbling through Castlevania's Bloody Tears on a keyboard in their basement, or playing the Super Mario Bros. theme on a nose-flute. But if you wade through the umpteen videos of shredding Mega Man, or the Zelda overture drummed out on Mongolian sheep bladders just for the sake of it, you can find some music which really resonates.

There are plenty of lists of the best covers of game music, but I wanted to compile my favourite examples of when a track is given new life through the replay, as it were.

5. Windwaker Unplugged (FreddeGredde)




FreddeGredde's cover of the Windwaker theme has certainly made its (deserving) rounds on lists like this. That said, it's three and a half-million views worth of awesome. The accordion and the vocal layering really add some warmth to an already great piece of music.


4. Lufia: Curse of the Sinistrals/Estpolis - Final Battle

(Original)

Lufia 2 (SNES) was a terrific, classic-style RPG. They remade it for the DS in 2009, and the OST cranked the music up to 11. This one is kind of a cheat, since it's a proper Nintendo remake, but it can't be helped. This is an epic track, in the proper, definitive sense of the word. The drums, trumpet, and strings give it an intensity which (obviously) just couldn't be achieved on the SNES. I dare you to listen to this and not want to save the world, Lufia fan or not.


3. Chrono Cross - Dream of the Shore Near Another World (SongeLeReveur & Marcpapeghin)

(Original)


Chrono Cross (PS) had a gorgeous soundtrack which would be difficult to improve on. These guys start with Dream of the Shore, and really take it somewhere else with the new and distinctive instruments (although I have some issues with the tempo of the uke at the beginning). I think the end product sounds more at home in a Wild ARMs game, which is certainly a compliment. It takes a dreamy overworld theme and turns in into a new, almost standalone composition.


2. Final Fantasy Main Theme Remix (Hyadain)

This was the reason why I wanted to make this list in the first place. Kenichi Maeyamada aka Hyadain, is a Japanese composer whose YouTube remixes of game music are quite unique in that he sings most of them (his rendition of Cyan's Theme and Ultros Boogie are also interesting). His remixes are skillful and fun homages to classic game music. What we have here is essentially the Final Fantasy national anthem, and I love that such a thing exists.


1. Chrono Trigger - Peaceful Days (lonlonjp)

(Original)

I just couldn't put the Hyadain track at number one, because of how much I love this. Of all lonlonjp's excellent Chrono Trigger guitar arrangements (Frog's Theme in particular), I think that this one stands out because of how perfectly suited the original track is for the solo guitar. He absolutely nails the simple beauty of the song. Fans of Chrono Trigger will be immediately lost in two minutes of nostalgic bliss, and anyone else can instantly understand why Yasunori Mitsuda named his original track “Peaceful Days.”

Monday, January 16, 2012

Shane's Favourite Movies of 2011

So, it's that time of year again. I wanted to get this list out sooner but I've been trying my to catch up on some last minute titles I thought might influence my decision. About a week after my 2010 movie list went up I saw True Grit, and I loved it so much that it would have easily been in my top 3. But, alas, the list was already posted. It's always hard to choose five when there are still others I haven't seen and want to see.

This year I found it especially difficult to make my picks. There were plenty of films I thought were good, but few I thought were really great. I might feel completely different about the order and/or choices in this list a month from now. But it's time to commit. Here we go.

5. Red State 
I heard plenty about the development and release of this film from Kevin Smith's weekly "SMODcast" last year, and I was interested in seeing a film that seemed very unlike anything else he's directed. Red State certainly is different, but you can still see Kevin Smith's crude style infused throughout this violent, low budget horror film.

What I really like about this film (besides Michael Parks' performance) is how it pulls a From Dusk Til Dawn midpoint switcheroo. It starts as a bleak horror film where some horny teens become the captives of a fanatical religious family, and then it turns into a guns blazing, action film with John Goodman. High five! It's over the top, it's ridiculously fun, and it will probably catch you off guard at least once.


4. Rango 
It's really strange how things go sometimes. When I originally saw trailers for Rango I was filled with equal parts confusion and disgust. I couldn't quite tell what the movie was trying to be, but I knew I didn't like it. Then I started reading positive reviews, some friends gave it their seal of approval, and I decided to give it a shot. Much to my surprise and delight, it was a terrific film.

I really have to applaud the work of the animation team because the visuals are stunning. Most All of the characters are as grotesque as they are weird, but witnessing the level of detail put into their design is amazing. Everything in this film looks broken-down, scarred, and filthy ... in a good way. Plus, you wouldn't think a story about a lost pet chameleon becoming the sheriff of a dehydrated animal town would make a good western, but it does. The characters are eccentric and interesting, the jokes are funny and mature, and the story unfolds with plenty of action. It's a solid film, and it reminded me to never judge a chameleon by its skin.


3. Mission: Impossible - Ghost Protocol 
I saw plenty of action films this year (Captain America, X-Men: First Class, Thor, Cowboys & Aliens, Adventures of Tintin, Suckerpunch, Fast Five, Green Hornet, Hanna, etc.) and this one stood out as having the most exciting, well paced action of them all. It's no surprise that the director of The Incredibles would have an idea of how to present action in a spectacular fashion. There's no downtime telling an origin story or getting lost in some boring subplot; it's just one insane assignment after another with a likable team, crazy gadgets, and unthinkable obstacles. It may not be realistic, but it is absolutely fun. For his first live action film Brad Bird delivered pure entertainment.






2. Super 8 
If you've heard anything about this movie it was probably that it shares a lot of similarities to Spielberg's movies from the 80's like E.T. and The Goonies. This is true. It's practically J.J. Abrams channeling the guy. And that's perfectly fine with me. This movie has such a good vibe to it, and I really like the kids playing the group of friends aspiring to make an awesome zombie movie; they're all very likable and fun to watch. There's a good chemistry between them and some fine performances (Elle Fanning, holy shit).

So, a group of friends witness a train wreck while working on their scary movie and suddenly there's a real monster wreaking havoc in their small town. Even as things get out of control, the kids keep working on their film and taking every opportunity to incorporate the escalating disaster into their movie. Super 8 isn't perfect (I wish the second half was more like the first half), but it wins bonus points in the nostalgia department for reminding me of the movies I watched growing up, and the comedy and monster movies my brother and I used to make with the family camcorder.


Also, it mixes a lot of things together nicely: the mystery and suspense of a monster on the loose, the humour of friends arguing over the details of making a movie, and the drama of a family dealing with tragedy. There's something everyone can like here and I recommend it highly.


1. Drive
This is a movie that seemed to get fairly polarized responses from people. It had a lot of word of mouth hype and people either loved it or thought it was overrated. It's hard to pinpoint what makes this my favourite of the year, but I suppose it's because Drive feels original. It exists somewhere between an action movie, a crime drama, and a hypnotic music video.

The story centres on an unnamed wheelman who does jobs as a getaway driver. After one heist goes bad he ends up having to take matters into his own hand to stay alive and protect those he cares about. Driver is a mysterious and cool character, though I can't decide if he's very clever or mentally unbalanced or both. In any case, Ryan Gosling gives a subtle, careful performance and I hope he does more stuff like this.

The soundtrack is one of best I've heard in a while. The opening sequence where Driver eludes the cops after a robbery is mesmerizing because the situation is stressful, but the music and lighting is calming and our protagonist is so composed. Drive has this interesting way of putting the viewer into a trance and then hitting them with a sudden moment of astonishing violence. I wouldn't say the film has a lot of violence, but the violence is ... potent, if that makes sense.

Of all the movies I saw last year, Drive is the one I want to watch again most. It's retro, it's artsy, it does something different, and I appreciate that.

So there's my list. I look forward to hearing what everyone else thought of 2011's cinematic offerings.